On The Surface of the Reef v/e: Fluoro
2023 / 4-colour CMYK photolithograph
60 x 60 cm framed
56 x 56 unframed
Edition of 5
(Photolithograph turns fluorescent if illuminated with a UV light).
(£295 unframed, please enquire at hello@otherlandz.com).
Neeli Malik is a graduate of BFA Fine Art from the Ruskin School of Art, University of Oxford. She specialises in silkscreen and photo-intaglio printmaking. She received training at London Print Studio and studied MA Print at the Royal College of Art (2021-23). In 2021 she was awarded a Burberry Design Scholarship to sponsor her education at the RCA.
Neeli’s practise is primarily concerned with vivid colourations, interweaving stories, human and nonhuman connections, and where we place ourselves in the world.
Her work has been exhibited in various galleries internationally, including the Oxford Museum of Natural History, the 6B Arts Centre (Paris) the An Táin Arts Centre (Ireland) and Southwark Park Galleries (London). She recently received funding from London Borough of Waltham Forest to develop her photography project: ‘100 Days of Groceries’, which was also featured in Printmaking Today magazine. She has also collaborated with the Oxford Art, Biodiversity & Climate Network, and was artist-in-residence at Oxford Ecosystems Lab, where she produced a body of work in relation to their research on woodland restoration.
“My practise is concerned with the idea that anthropocentric decay is exacerbated by a widespread disconnection between humans and our environments. ‘Human exceptionalism’ or ‘Anthropocentrism’ is a mode of thinking that wrongly categorizes humanity as distinctly separate from nature. I want to propose the term ‘emergency intermergences’ - markers of collusions between humans as well as nonhumans in defiance of said separatism, to consciously or unconsciously un-do the isolation of Anthropocentrism:
2023 / 4-colour CMYK photolithograph
60 x 60 cm framed
56 x 56 unframed
Edition of 5
(Photolithograph turns fluorescent if illuminated with a UV light).
(£295 unframed, please enquire at hello@otherlandz.com).
Neeli Malik is a graduate of BFA Fine Art from the Ruskin School of Art, University of Oxford. She specialises in silkscreen and photo-intaglio printmaking. She received training at London Print Studio and studied MA Print at the Royal College of Art (2021-23). In 2021 she was awarded a Burberry Design Scholarship to sponsor her education at the RCA.
Neeli’s practise is primarily concerned with vivid colourations, interweaving stories, human and nonhuman connections, and where we place ourselves in the world.
Her work has been exhibited in various galleries internationally, including the Oxford Museum of Natural History, the 6B Arts Centre (Paris) the An Táin Arts Centre (Ireland) and Southwark Park Galleries (London). She recently received funding from London Borough of Waltham Forest to develop her photography project: ‘100 Days of Groceries’, which was also featured in Printmaking Today magazine. She has also collaborated with the Oxford Art, Biodiversity & Climate Network, and was artist-in-residence at Oxford Ecosystems Lab, where she produced a body of work in relation to their research on woodland restoration.
“My practise is concerned with the idea that anthropocentric decay is exacerbated by a widespread disconnection between humans and our environments. ‘Human exceptionalism’ or ‘Anthropocentrism’ is a mode of thinking that wrongly categorizes humanity as distinctly separate from nature. I want to propose the term ‘emergency intermergences’ - markers of collusions between humans as well as nonhumans in defiance of said separatism, to consciously or unconsciously un-do the isolation of Anthropocentrism:
2023 / 4-colour CMYK photolithograph
60 x 60 cm framed
56 x 56 unframed
Edition of 5
(Photolithograph turns fluorescent if illuminated with a UV light).
(£295 unframed, please enquire at hello@otherlandz.com).
Neeli Malik is a graduate of BFA Fine Art from the Ruskin School of Art, University of Oxford. She specialises in silkscreen and photo-intaglio printmaking. She received training at London Print Studio and studied MA Print at the Royal College of Art (2021-23). In 2021 she was awarded a Burberry Design Scholarship to sponsor her education at the RCA.
Neeli’s practise is primarily concerned with vivid colourations, interweaving stories, human and nonhuman connections, and where we place ourselves in the world.
Her work has been exhibited in various galleries internationally, including the Oxford Museum of Natural History, the 6B Arts Centre (Paris) the An Táin Arts Centre (Ireland) and Southwark Park Galleries (London). She recently received funding from London Borough of Waltham Forest to develop her photography project: ‘100 Days of Groceries’, which was also featured in Printmaking Today magazine. She has also collaborated with the Oxford Art, Biodiversity & Climate Network, and was artist-in-residence at Oxford Ecosystems Lab, where she produced a body of work in relation to their research on woodland restoration.
“My practise is concerned with the idea that anthropocentric decay is exacerbated by a widespread disconnection between humans and our environments. ‘Human exceptionalism’ or ‘Anthropocentrism’ is a mode of thinking that wrongly categorizes humanity as distinctly separate from nature. I want to propose the term ‘emergency intermergences’ - markers of collusions between humans as well as nonhumans in defiance of said separatism, to consciously or unconsciously un-do the isolation of Anthropocentrism: